On Santi-Vina (1954; rest. 2016)
by Jaka Lombar
On Angen Badee Ba (2009)
by Akbar Rafsanjani
On Bleak Night (2010)
by Wan Khalisah
On Architecture 101 (2012)
by Tito R. Quiling, Jr.
On McDull: The Pork of Music (2012)
by Zhang Yangyu
On Mumbai Cha Raja (2012)
by Soham Gadre
On Anak Sabiran (2013) and Golden Memories (2018)
by Umi Lestari
On Snakeskin (2014)
by Yang Vicki
On The Midnight After (2014)
by Daryl Li
On Journey to the Shore (2015)
by Ammar Keshodia
On Kaili Blues (2015) and Manta Ray (2018)
by Konstantin Ignatushchenko
On Man in the Cinema House (2015)
by Epoy Deyto
On Paths of the Soul (2015) and Life After Life (2016)
by Fernando Chaves Espinach
On 2 Cool 2 Be 4gotten (2016)
by Isabella Endrinal
On Mad World (2016)
by Choo Suet Fun
On People Power Bombshell: The Diary of Vietnam Rose (2016)
by Elise Shick
On On the Beach at Night Alone (2017)
by Rajlakshmi Bhagawati
On Burning (2018)
by Sara Merican
On Kaala (2018)
by Aroh Akunth
On Shirkers (2018)
by Mariya Lim
On Ten Years Thailand—Song of the City (2018)
by Joaquin Singson
On The Forest of Wool and Steel (2018)
by Vanessa Yip Yee Sing
On Three Asian Films About Women
by Alfonse Chiu
On Indian Horror Cinema
by Girinandini Singh
On Hong Sangsoo (and Kim Minhee)
by Ren Scateni
On Johnnie To (and the next generation of Hong Kong filmmakers)
by Dan Krátký
On Yasmin Ahmad
by Caleb Chandra
Thanks to
All contributors and all those who shared and responded to our call for entries
Thomas Barker, May Adadol Ingawanij, Maja Lovrenov, Amir Muhammad, Ciril Oberstar, Johanna Robinson, Dan Rowden, The Bohinc family, The Tioseco family, Koen Van Daele